[NewPacifica] History of Democratic Reform Efforts re Public Broadcasting in Chicago



http://www.chicagomediaaction.org/index.php?link=chicago_public_bc_history


A HISTORY OF DEMOCRATIC REFORM EFFORTS

TO IMPROVE CHICAGO PUBLIC BROADCASTING

More journalistic light must be shed upon the persuasive and vivid history
of activism aimed at the democratic reform of public broadcasting in
Chicago.

Public broadcasting's funding has always been inadequate and politicized.
Chicagoans have struggled repeatedly against public broadcasting's
undemocratic structures and selling schemes.



We've turned up ten local citizen organizations that have worked toward the
democratic reform of Chicago's public TV and radio outlets. Nine various
legal and regulatory actions have centered upon the corporate parent of
WTTW-TV and WFMT-FM. That same corporate parent, now known as Window to the
World, Incorporated, filed two counter actions: one against an
accountability group; and one against its own workers as they organized for
union representation.

The public's fight has not been easy. Chicago has historically been at the
forefront of anti-commercialization and democratic reform efforts aimed at
public broadcasting - "Ground zero" as the Chicago Tribune called it in
1997. Concerted community action ultimately will bring marked structural and
funding improvements to public broadcasting.

A work in progress, we consider this unique history required study for
anyone concerned about media and democracy.

*1943*

WBEZ 91.5 FM begins broadcasting instructional programming under the control
of the nonprofit Chicago Board of    Education.

*1951*

WFMT 98.7 FM begins broadcasting as a for-profit commercial fine arts
station under the control of Bernard and Rita  Jacobs.

*1954*

*An open letter to Channel 11�s founder Edward L.
Ryerson*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/openlettertable.htm>and
its response are published locally. The complaint centers upon  delays
in getting the station on the air. The complainer is well-known author and
WFMT program host Louis �Studs� Terkel.

*1955*

WTTW-TV Channel 11 begins broadcasting educational programming under the
control of the nonprofit Chicago        Educational Television Association
(CETA).

*1961 *

Newton Minow, FCC chair and key Chicago and national public broadcasting
figure makes his famous *�television�a vast wasteland�
speech*<http://www.janda.org/b20/News%20articles/vastwastland.htm>
.

*1965*

CETA�s WXXW-TV Channel 20 begins instructional broadcasting.

*1967*

*The Carnegie Commission issues its report �Public Television: A Program for
Action�.* <http://www.current.org/pbpb/carnegie/CarnegieISummary.html>* *The
report calls for the creation of a national public broadcasting structure
with adequate, independent and accountable funding.



*The Public Broadcasting Act of
1967*<http://www.current.org/pbpb/legislation/PBA67.html>is signed
into law, creating the Corporation for Public Broadcasting (CPB) -
without any provision for a comprehensive trust funding mechanism. Public
broadcasting�s finance remains inadequate, subject to politics and
unaccountable.

*1968*

Due to illness, Bernard Jacobs sells WFMT-FM�s assets to the Tribune
Company-controlled WGN Continental Broadcasting Company. Jacobs turns down a
comparable offer from a more public interest-oriented concern lead by
Encyclopedia Britannica heir Charles Benton.



The *Citizens Committee to Save WFMT* (organized by Charles Benton) forms to
oppose the station�s sale to the Tribune Company at the FCC and in the
Circuit Court on grounds of concentration of control in media.



WGN donates the assets of the for-profit WFMT to the not-for-profit Chicago
Educational Television Association, overseer of WTTW. No other public
broadcasting association is the parent corporation of a for-profit
commercial licensee.

*1969*

The* *Public Broadcasting Service (PBS) - public broadcasting�s main
distribution arm - is founded. Like the CPB, its meeting minutes and
budgetary details remain twin mysteries.

*1971*

The inaugural program transmission of National Public Radio (NPR) occurs.



Channel 11 censors parts of the innovative PBS series �*Great American Dream
Machine�*. In one instance, the station manager removes a skit about an
unmarried couple in bed discussing their fading affair. WTTW replaces the
segment with�a station pledge drive!



President *Nixon*
<http://www.current.org/pbpb/nixon/nixonintro.html>requests, �that all
funds for public broadcasting be cut immediately.�

*1973*

The Chicago Board of Education's WBEZ-FM joins NPR.

 Critics call for among other things, a member-elected board at CETA.

*1974*

CETA�s instructional channel 20 WXXW-TV leaves the air.



Key WFMT figures Ray Nordstrand and Norm Pellegrini, along with Charles
Benton form Concert Radio, Inc. The concern - a private for-profit company -
becomes involved in a license challenge to acquire the rights to the New
York City classical station WNCN-FM a few years later. Had Concert Radio,
Inc. succeeded in acquiring WNCN-FM, it planned to attempt to use the
purchase to leverage WFMT-FM away from CETA.

*1977*

*The Carnegie Commission on the Future of Public Broadcasting (Carnegie II)
issues its report.*<http://www.current.org/pbpb/carnegie/carnegieIIrecd.html>The
politicians ignore its well-intentioned but flawed calls for a public
broadcasting trust and fees on commercial broadcasters� use of the public�s
airwaves. Limited provisions for accountability, EEO rules and a few of the
report�s other recommendations find their way into the Public Broadcasting
Act of 1978 and remain a part of public broadcasting law.



The Chicago Metropolitan Education Council - headed by Channel 44 President
Oscar Shabat - buys channel 20 and  changes its name to WCME-TV.
Documentation discovered so far indicates that channel 20 remained �dark�
from 1974 to 1983.

*1979*

The *Citizens� Committee on Media* *(CCOM)* forms and addresses censorship
in Chicago�s telecommunications media. *CCOM *helps to open CETA board
meetings to public attendance and makes a few programming gains. At the same
time, local independent producers organize and create the still-running
weekly half hour series *�Image Union�.* CETA�s minutes and complete budgets
remain unavailable.

*1982*

Up to 1982, individual corporate funder acknowledgements broadcast on public
TV were limited to five-second slides with the company�s name printed in
white letters on a black background with no logograms and no sound or
music.  Mentions were not placed adjacent to programming to which the source
contributed. Public radio funders were identified very discreetly as well.
(Though it has been substantially weakened, the Communications Act of 1934
today still forbids noncommercial stations from accepting compensation for
broadcasting messages that �promote any service, facility or product offered
by any person who is engaged in such offering for profit.�)



*The Temporary Commission on Alternative Financing of Public Television
(TCAF)* <http://www.current.org/pbpb/fcc/TCAFsumm83.html> is formed. TCAF -
composed of members of Congress and FCC Commissioners - urges stations to
use �experimental ways� of financing their operations. Ten stations,
including WTTW, are authorized to air �forms of advertising similar to
commercial TV� during an 18-month test period. *CETA nets $1.7
million*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/January%2029,%202002ring!!!.gif>and
ever since, WTTW�s cash register hasn�t stopped ringing. The bell on
CETA�s cash register first sounded earlier though - when it assumed control
of the commercial station WFMT and its *Chicago* magazine.

*1983*

Under Ronald Reagan, a cut  in federal funding for public broadcasting of
nearly 40% becomes law.



After a mismanagement debacle hits NPR, the radio agency gets a life-saving
$9.1 million loan from CPB and some enhanced autonomy from the funding
organization.

 Robert Johnston, a public-interest attorney, files a complaint with
Illinois Attorney General Neil Hartigan asking that WFMT make the same
financial disclosures made by public broadcasting stations. CETA�s WFMT,
Inc. Committee Chair Robert Wilcox, in a written response to Hartigan, tells
nothing of WFMT�s financial performance and denies accountability to the
public, saying only �for competitive reasons, we do not publish (financial
statements) or distribute them more widely.� AG Hartigan deigns involvement
except as a mediator.

 The control of* *WCME Channel 20 (formerly CETA�s WXXW) is transferred to
the City College Board of Chicago. The channel is renamed WYCC-TV and after
nine years, returns to the air. Today, Channel 20 is one of the very last
offering instructional courses for college credit. WYCC today remains
without a studio (though one is planned) and generates little programming of
local origination. The budgets and board minutes relating to WYCC are
available for public inspection.

*1984*

The Mark Fowler-chaired FCC substantially relaxes the noncommercial policy
to allow public broadcasters to expand or �enhance� the scope of donor and
underwriter �acknowledgements� to include such things as �value neutral
descriptions of a product line or service,� and corporate logos or slogans
which �identify *and do not promote*� (emphasis in original).

*1985*

WFMT management ups the original limit of four commercial minutes an hour to
six.

 The *Friends of WFMT *is created. The group includes lawyer and
former 5thward Alderman Leon Despres, lawyer Thomas Geoghegan and
public relations
executives Connie Zonka and Herb Kraus. At its peak the group claims
4,000-5,000 members and publishes a regular newsletter.

*1986*

In a public notice, the FCC explains that �enhanced underwriting� would
offer �significant potential benefits to public broadcasting in terms of
attracting additional business support.�

 CETA sells *Chicago* magazine (which grew from WFMT�s program guide) to the
Detroit-based Metropolitan Communications, Inc. for $17 million and
establishes a $9 million endowment fund from the sale. Of what happened to
the money from the sale, little has been disclosed.

*1989*

*The Friends of
WFMT*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/depreshardselltext.htm>threaten
and then file suit in the Cook County Circuit Court against WFMT�s
corporate parent CETA. The points of contention include: whether or not WFMT
was illegally deprived of money from the sale of *Chicago* magazine; whether
there should be restrictions upon CETA�s ability to sell the station;
whether WFMT should be declared a charitable trust and therefore subject to
limits on its sale or programming changes; and concerns about imprudent
management. The group also seeks a bar upon pre-recorded commercials and
commercial jingles. CETA�s only response at the time was to deny it has any
plans to sell the station.

 *The NAACP *files a petition with the FCC to deny renewal of WFMT's
broadcasting license along with the licenses of thirteen other Illinois
radio stations. It's challenge cites, �no more than token employment of
blacks and other minorities.�

 *The Friends of WFMT files a petition with the FCC to deny renewal of the
station�s license.
*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/January%2024,%202002friendsseekblokliscns.gif>The
petition repeats accusations contained in the pending Cook County Circuit
Court lawsuit against CETA (see above). The suit mentions WTTW - �It was,
and still is, regarded as one of the mediocre public TV stations in the
country.�

 Channel 11 viewers get pledge nights, VIPs get party night.

*1990*

CETA fires* *numerous key WFMT engineering, sales and production employees.
The action comes as WFMT employees attempt to organize for union
representation. The move also heightens continuing suspicions that the
station is being prepped for sale.

 The lawsuit filed in Circuit Court by the *Friends of WFMT *is dismissed.
The presiding judge rules that the *Friends of WFMT* has no legal right to
file the court challenge. This suit aimed to stop any format change or
station sale.

 CETA announces it is dropping the near-forty year ban on �canned� or
prerecorded commercials on WFMT.

 The non-profit WBEZ Alliance, Inc. assumes control of WBEZ-FM from the
Chicago Board of Education. The Alliance Board grew in part from the
station�s Community Advisory Board. The Chicago Board of Education�s
half-million dollar direct subsidy to the station ceases. Some cutbacks and
layoffs occur. Unlike the Chicago Board of Education, the Alliance considers
its minutes and detailed budgetary information private.

 CETA files a trademark infringement suit against the *Friends of WFMT. *The
corporate parent of WTTW and WFMT states it will �suffer irreparable harm�
and seeks unspecified damages from the citizen group. Thomas Geoghegan, an
attorney for the *Friends of WFMT* called the suit �ridiculous�.

 In a settlement, the board that oversees WFMT is to be expanded and is to
include the current president of the *Friends of WFMT. *The appeal to the
circuit court decision and the FCC license challenge by the *Friends of WFMT
* are dropped, as is the trademark infringement suit filed in federal court
by CETA. Studs Terkel maintains that the station was �robbed of millions� in
the sale of *Chicago* magazine.

*1991*

Public broadcasting funding comes up for a vote and Senators Dole, McCain
and Helms* *decry that public broadcasting has a �liberal bias�.

 The Independent Television Service (ITVS) is created by Congress to
facilitate the creation and distribution of independent film and video
representing underserved minority voices for airing on public television
stations.



Employees at WFMT vote 19-18 to unionize.

 The National Labor Relations Board rules there is insufficient evidence to
overturn the results of the WFMT vote to unionize. CETA appeals through the
court.

*1992*

*WFMT management announces the amount of �canned� or prerecorded commercials
aired on the station will be
reduced.*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/fmtreducecoms.gif>

*1993*

The *Coalition for Democracy in Public Television *- known as *CDPTV *and
later as *Democracy in Public Broadcasting* - is formed. The group addresses
the censorial effects commercialism and closed, undemocratic structures and
processes have upon WTTW and public broadcasting. The coalition comprises
citizens and 34 community groups and coalitions. *CDPTV* was organized by
Scott Sanders and Melissa Sterne as an outgrowth of the foundation they laid
for the creation of *Chicago Media Watch*. Local filmmakers Gordon Quinn and
Allan Siegel are also cofounders of *CDPTV*.

 *CDPTV* organizes a meeting between WTTW management and representatives of
thirteen local coalitions and nonprofit groups including the executive
directors of Operation PUSH and the 100 group Coalition for New Priorities.
Only limited programming and democratic gains result. These include spotty
airings of the labor series *�We Do the Work�
<http://www.chicagomediaaction.org/CIPB%20Chicago/website/January%2024,%202002%20(28).gif>
*and selected episodes of the peace series *�America�s Defense Monitor� *under
the occasional series rubric *�Viewpoint�, *as well as early morning airings
of *�Rights and Wrongs�, *the human rights series hosted by Charlayne
Hunter-Gault. The station refuses to schedule the Academy Award-winning
feature documentaries *�Panama Deception *and *�Deadly
Deception�<http://www.chicagomediaaction.org/CIPB%20Chicago/website/deceptionpress.htm>.
*The latter documentary spotlighted the national boycott against WTTW�s top
corporate funder, GE.

 A three-judge panel of the US Court of Appeals for the 7th Circuit requires
WFMT-FM management to enter into contract talks with the American Federation
of Television and Radio Artists (AFTRA). The judges allude to possible
electioneering by station employee Studs Terkel.

 WBEZ attempts to cancel weekend folk and eclectic music shows in favor of
increased news and public affairs programming. A small group of upset
listeners complain at a joint Alliance Board and Community Advisory Board
meeting. The changes are reversed.

*1994*

A citizens group calling itself *The BEZ Hive* is formed to press for
reforms at Chicago public radio station WBEZ-FM. Organization
cofounder* *Marian
Neudel publishes a regular newsletter also called *The BEZ Hive*.

 *The CDPTV files a complaint with the FCC alleging fundraising violations
at CETA 
*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/shoppingfilingpress.htm>with
regard to the forty hours worth of home shopping programs known as the
Chicago Holiday Gift Exchange broadcast by WTTW. The coalition* *receives
legal representation on the complaint from the Georgetown University Public
Law Center and the DC-based Media Access Project.

*1995*

 The first order of business of the Gingrich-lead new Republican House
majority is to de-fund or �zero-out� all federal support and �privatize�
public broadcasting because �Government intervention is no longer
necessary�. The unprecedented negative public response to the proposal is
chastening

 *The FCC issues a mild reprimand to WTTW's trustees regarding the CDPTV
home shopping complaint but warns them to be careful in the
future.*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/homeshopfcc.htm>

**

CETA changes its name to Window to the World Communications, Incorporated
(WWCI).

*1997*

In an action made possible by the *CDPTV* complaint and aided by the history
of public broadcasting reform activism in Chicago, the William
Kennard-chaired *FCC calls for an unprecedented $5,000 fine against the WWCI
Trustees.* <http://www.current.org/pbpb/fcc/wttworder1997.html> The
unsourced complaint holds that four commercial advertisements aired on
Channel 11 a combined total of 181 times are illegal. *WTTW disputes FCC ad
complaint.*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/wttwdisputesfcc.htm>

*1998*

The International Brotherhood of Electrical Workers representing thirteen
fired Channel 11 engineers and technicians accuses the public TV outlet of
making its employees pay for management�s mistakes. The station cites a
decline in outside production business at WWCI�s Chicago Production Center
for the firings.

*1999 *

The �Network Chicago� re-branding, re-organization and programming effort is
unveiled at Window to the World Communications, Inc. "Network Chicago"
launches a  weekly (later reduced to bi-weekly) publication and program
guide called *City Talk*.

 The FCC grants the nonprofit WBEZ Alliance a translator station at 90.3 FM
in Michigan City, Indiana to extend their signal. WBEZ drops host Aaron
Freeman and makes cuts in city hall reporting and in other areas.

 The nationally based *Citizens for Independent Public Broadcasting (CIPB)
forms* to democratize public TV and radio programming at the local and
national levels. Centrally, CIPB�s mission includes a call for the creation
of an independent and accountable national public broadcasting trust (PBT).
The trust is to be capitalized at triple current levels by taxes on
commercial broadcasters� heretofore rent-free use of the public�s airwaves.

*2000*

*The FCC reduces its fine against Window to the World Communications, Inc.
trustees to $2,000* <http://www.current.org/pbpb/fcc/wttworder2000.html>,
judging *one of the original four ads to be
illegal*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/january%2031,2002federfineadj.gif>.
One of the ads dropped aired in a PBS feed but the FCC leaves the door open
for future action in this area. The adjusted fine remains a crucial
precedent and a warning.

 An independent part of the CIPB national organization, *Citizens for
Independent Public Broadcasting Chicago* (*CIPB Chicago*) forms to repair
the structural, process and commercial defects in Chicago public
broadcasting and demand the creation of the national public broadcasting
trust fund (PBT). Its focus begins with WBEZ-FM.

 The public loses its right to uncensored candidate airtime on public
broadcasting stations as a result of the mis-titled �Public Broadcasting
Integrity Act�. Sponsored by Senator Jeffords (I-VT), this act removes the
traditional mandate upon all public broadcasting stations to offer
candidates free airtime on a non-discriminatory basis during the 90 day
period before elections.

*2001*

A former Hill & Knowlton executive is discovered on WBEZ-FM�s board by *CIPB
Chicago*. CIA-linked Hill & Knowlton�s $11 million contract with an
�independent� group representing Kuwait was designed to sell the 1990-91 war
against Iraq to the American public. *CIPB Chicago calls for the resignation
of the former Hill & Knowlton executive - the current Chicago Tribune pr
chief - from the WBEZ Alliance board of
directors.*<http://www.chicagomediaaction.org/CIPB%20Chicago/website/weitman.htm>

**

*CIPB Chicago* 
*requests*<file:///C:/CIPB%20Chicago/website/january2002torudis.htm>that
WBEZ-FM provide public access to its board and community advisory
council minutes and other documents and provide candidate-produced airtime
during the ninety days preceding elections.
 *2002* *Chicago Media Action (CMA) *forms as a result of a public dispute
and audience walkout over the unannounced inclusion of a representative of
Israel's extremist AIPAC lobby in a local media group's program. *CMA *decides
at its first meeting that FCC ownership rules and the reform of WTTW will be
its first major areas of concentration. *2003* The *We Interrupt Your
Regularly Scheduled Programming Coalition *(with the impressively long
acronym *WIYRSPC*) forms under the aegis of *Chicago Media Action* to
request monthly live documentary discussion forums, with the first to be on
the then impending attack on Iraq. The Coalition also asked the station to
continue and expand its support for the Bill Moyers public affairs series
"Now!" This first Coalition meeting brought together thirty-one
representatives from twenty-six local peace and justice groups in a studio
at WTTW with three station executives: #2 Randy King, Chicago Tonight
producer Mike Liederman, and programmer Dan Soles. A second, smaller meeting
takes place a month later with two program executives. It is explained to
WTTW that the occasional forums would preempt Chicago Tonight and redirect
those resources and therefore represent little or no net drain on the
station's shaky finances. Continuing live film forum requests by CMA and
community groups have to date been ignored by WTTW.  *2003* Business
journalist Jim Kirk writes a powerful investigative cover story for the
Chicago Tribune Magazine revealing  around $10 million in blunderous
misappropriations since WTTW station manager Dan Schmidt took over the
reigns in 1999.


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