[NewPacifica] Re: Made in Palestine



Hi Wendy,

I'm glad you noticed our guest on Let Them Talk tonight. It was a great show 
and Samia is 
a great guest and friend of Let Them Talk. The show Made in Palestine is 
currently at a 
gallery called The Bridge in Manhattan. A tape archive of tonite's program will 
be soon 
available on my blog at pdr.autono.net..

Paul DeRIenzo


--- In NewPacifica@xxxxxxxxxxxxxxx, wendy <wendy@...> wrote:
>
> The Made in Palestine travelling exhibit is a project of Houston, 
> Texas's http://www.stationmuseum.com and curated by James Harithas.  
> They also took a video team to Palestine to document  the journey of 
> bringing the art to America, and KPFT News Director Jackson Allers of 
> Houston was chosen to go with them in this capacity.  It was much easier 
> to display the art here in Houston than it was in the "progressive" 
> cities.  So interesting.
> 
> wendy
> 
> http://english.aljazeera.net/NR/exeres/CEA8B997-8674-47F8-B950
-514FAF66EDAC.htm
> 
> *
> *
> 
> **Palestine US exhibit stirs controversy***
> /By/ /Linda Isam Haddad in Los Angeles/
> 
> 
> Wednesday 20 April 2005, 6:05 Makka Time, 3:05 GMT   *
> 
> *The paintings and photographs depict Palestinian suffering*
> 
> * Related:
> *
>       Palestinian youths speak out with art 
> <http://english.aljazeera.net/NR/exeres/FE5BEF7F-2F1E-4BB1-B25E
-6680234EE1A8.htm> 
> 
> 
> 
> * Tools:*
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> 
> ****
> 
> **A unique art exhibition showcasing the works of 23 Palestinian artists 
> is facing uncertain times in the United States, with major museums 
> refusing to play host. **
> 
> *Chronicling the modern history of Palestinians since 1948, Made in 
> Palestine had its first showing in the United States at the Station 
> Museum in Houston, in May 2003.*
> 
> *The exhibit displays the works of selected Palestinian artists from the 
> West Bank and the Gaza Strip as well as those living in exile in 
> countries such as Jordan, Syria and Germany.*
> 
> *Currently on display in San Francisco, the opening attracted up to 1000 
> people. But alongside the accolades, it has also drawn the ire of some 
> politicians.*
> 
> * *
> 
> *As a result, most museums are fearful that hosting an exhibit that is 
> pro-Palestinian could cost them their funding.*
> 
> *"I thought I had enough contacts to get this exhibit shown in museums 
> across the nation, but I found out that even people who I considered 
> close contacts said off-the-record they would lose their museum funding 
> if they were to hold an exhibit that was pro-Palestinian," lamented 
> James Harithas, curator of the Made in Palestine exhibition.*
> 
> *Once the current show draws to a close on 21 April, organisers suspect 
> it could be curtains for the exhibition.
> 
> *Negative imagery**
> 
> *"We are dealing with immense ignorance here and it's unfortunate that 
> people have one image of Palestinians and automatically deny anything 
> created by the Palestinian people," Harithas told Aljazeera.net. *
> 
> * *
> 
> *Funding for the art exhibit has
> been hard to come by*
> 
> *Other art connoisseurs shared his dismay.
> 
> "It is absolutely tragic the exhibit is only showing in San Francisco 
> for a short time," said Samia Halaby, a Palestinian artist and retired 
> professor of Yale University's school of art.
> 
> In an effort to raise funds for a future showing of the exhibit in New 
> York, Halaby's al-Jisser (Bridge) organisation staged a slide show in 
> November 2004 of the artwork displayed in the Made in Palestine art 
> exhibit. *
> 
> * *
> 
> *"We are living in a country where anything that is critical of Israel 
> and is pro-Palestinian is not accepted and this is very problematic, 
> especially when we are dealing with art," Uda Walker, political 
> education director of the Middle East Children's Alliance, told 
> Aljazeera.net.
> 
> *New York protest**
> 
> * *
> 
> *Two New York legislators and an assemblyman protested against the 
> fundraiser in written statements, calling the exhibit a promotion of 
> terrorism and anti-American as well as anti-Israel. *
> 
> * *
> 
> *Ammo Box is meant to highlight
> Israel's military superiority*
> 
> *Legislators George Oros and Jim Maisano said the fundraiser promoted 
> offensive art that glorified terrorism.
> 
> Assemblyman Ryan Karben called on county executives to cancel the 
> fundraiser, because the artists' works promoted terrorism and violence. *
> 
> * *
> 
> *"There are also displays of violence that the artists claim are showing 
> the proud Arab masses standing up to advanced ammunition of the Israelis 
> using only stones. An ammunition box that would normally hold bullets 
> for M-16 rifles is filled with rocks," Karben said in a written statement.*
> 
> * *
> 
> *"This is how ridiculous the situation is," Walker told Aljazeera.net, 
> explaining that Raji Cook's Ammo Box is a pun on weaponry, communicating 
> that Palestinians only have stones and rocks as their weapons in this 
> conflict, compared to Israel's array of weapons.*
> 
> * *
> 
> *"Yet some right-wing politicians will call the piece of art a 
> glorification of violence," Walker said. *
> 
> * **
> *Show goes on**
> 
> *But undeterred organisers say the show must go on.
> 
> Harithas, convinced about the Palestinian cause, said: "Palestinian art 
> with all its passion needed to be displayed and viewed in the United 
> States."
> 
> Halaby, meanwhile, has helped to raise $25,000 in the hope that the 
> exhibit debuts in New York. *
> 
> *About $100,000 is required to rent space for the exhibit.*
> 
> 
> 
> Paul DeRienzo wrote:
> > In Response To: Pacifica ED Addresses NFCB Conference (Greg Guma (tlg))
> >
> > Join Paul DeRienzo & Miss Joan Marie Moossy on Let Them Talk. 
> > Palestinian artist Samia
> > Halaby is our guest tonight Tuesday, April 25, 2006 at 8 PM eastern 
> > time on Manhattan
> > Neighborhood Network Channel 56 and on the Internet at mnn.org click 
> > on channel 56.
> > Samia Halaby is currently exhibiting with other Palestinian artists in 
> > a show titled Made in
> > Palestine a show of contemporary Palestinian art. She'll be discussing 
> > the show and the
> > political and artistic situation in Palestine.
> >
> > See the exhibit at
> > THE BRIDGE GALLERY
> > 521 W. 26th St. 3rd Floor
> > New York City
> >
> > SHORT BIOGRAPHY
> >
> > July, 1996
> >
> > Samia A. Halaby
> >
> > Samia A. Halaby was born in Jerusalem, Palestine, in 1936. In 1948, 
> > Israeli aggression
> > forced her family's emigration to Beirut, and in 1951 the family 
> > settled in Cincinnati. Thus,
> > her higher education took place in Midwestern Universities. After 
> > graduate school, she
> > taught for eighteen years, the last ten of which were at the Yale 
> > School of Art. In addition
> > to teaching, Halaby was often invited to lecture at other 
> > universities. Her record includes
> > solo and group exhibitions in private and museum venues as well as the 
> > performance of
> > her electronic art both here and abroad. Among the museums which own 
> > her painting are
> > the Guggenheim Museum, the Art Institute of Chicago, and the Institute 
> > Du Monde Arab in
> > Paris.
> >
> > Halaby makes analytically abstract paintings which reflect the 
> > cacophony of present reality.
> > This work first developed in isolation along complex geometric lines. 
> > Afterwards,
> > international traditions such as Cubism and Constructivism as well as 
> > such American
> > painters as Stuart Davis, Mark Tobey, and Jackson Pollock asserted 
> > their influence. Themes
> > in her work narrate the motion and speed of our environment. They help 
> > us to understand
> > the signals of pleasure and danger of a city or the complexities of 
> > modern information.
> > For example one painting titled "One Yard Pas The Shingle Factory" 
> > alludes to the jangle of
> > manufacture while it pays homage to Marcel Duchamp. In her recent 
> > abstraction
> > inspiration is derived from soft natural form such as trees, the 
> > effects of wind on groups,
> > or the motion of large crowds of people. In "Green Flamenco" once can 
> > sense perhaps a
> > crowd, or wind rustling tree leaves, or possibly things floating on 
> > the surface of a lake in
> > the forest.
> >
> > Halaby works with oil on canvas as much as with drawing media on 
> > paper. As a colorist,
> > she still uses oil when she seeks precision in color relationships, 
> > but often utilizes acrylics
> > in her assemblage as it permits a more impulsive attitude and less 
> > rigorous demands on
> > cutting and stitching canvas after it has been painted.
> >
> > Due to her persuasion that art must utilize the most advanced 
> > technologies available, she
> > began exploring digital and electronic media in the mid 80's after 
> > years of dreaming of it.
> > In the end, she wrote a program which she uses to do live performance 
> > of abstract
> > paintings in collaboration with musicians. Called Kinetic Painting, 
> > this program transforms
> > the computer's keyboard into a painting piano creating shapes that 
> > expand, break, have
> > variable speed, and rhythm.
> >
> > Samia Halaby has written many essays on art and occasionally writes 
> > about her own work.
> > After interviewing 46 Palestinian artists, she published a book titled 
> > "Liberation Art of
> > Palestine.
> >
> >
> >
> >
> >
> > New Pacifica Working Group
> > http://www.egroups.com/group/NewPacifica
> > 'Save Our Stations!'
> >
> >
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>






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